The objective, explains Mercedes Abramo, Cartier’s North America president and CEO, was to create a extra welcoming surroundings—much less business, extra convivial. Gonzalez, for her half, envisioned the house as a grand but inviting condominium, within the spirit of the constructing’s residential origins. Home windows have been enlarged and revealed, whereas woodwork was whitewashed or upholstered in luxurious materials. All all through, bespoke sinuous seating invitations guests to remain awhile—and simply perhaps purchase that Tank watch.
“Every degree has its personal universe,” displays Gonzalez. From the bottom ground, company climb the sweeping central staircase just like the prancing panthers who grace the emerald carpeting (a wink to the model’s famed Panthère assortment). On the second ground, the coffered ceilings of Mr. Morton Plant’s onetime music room crowns the hospitality suite, which ushers VIPs to a personal eating room. Within the third-floor bridal rooms, accents of pink velvet match lightsof rose quartz—an emblem of affection. The neighboring engagement jewellery VIP salon is appropriately Champagne-hued, with a glass gentle fixture that evokes a celebratory coupe and plaster partitions that reinterpret the home’s joyful Tutti Frutti idea. The fourth ground boasts probably the most glamorous customer-service suite, that includes straw marquetry panels re-creating motifs from Cartier cigarette and self-importance circumstances.
“There are little ‘Easter eggs’ scattered all through that reference Cartier natural world, a one-of-a-kind Cartier Assortment piece, or our beloved New York Metropolis skyline,” notes Abramo. A wall sculpture by Brooklyn-based ceramic artist Peter Lane, for example, pays homage to Plant’s necklace, with pearl-like orbs that appear to hover midair, as if escaped from their strands. A mosaic of hand-cut travertine and quartz by French artist Béatrice Serre, in the meantime, evokes each an archival Artwork Deco bracelet and the close by Chrysler Constructing.
Gonzalez was impressed by iconic depictions of Manhattan, from Stanley Donen’s Singin’ within the Rain to Martin Scorsese’s After Hours, in addition to her personal lengthy walks by way of Central Park. 4 consumer salons every conjure a season within the metropolis. Within the bridal suite, a neo-impressionist portray by François Mascarello depicts a poodle and a terrier on their morning constitutional within the city Eden, the towers of the San Remo constructing rising behind them. “The ultimate consequence strikes the right steadiness between elegant historic references and fashionable consolation,” Abramo says with admiration. “The whole lot tells a narrative.” At 653 Fifth Avenue; cartier.com